人物群像刻画精准当人物架构好了好故事自然就有了人类即是矛盾本身简单的犹他州的全景镜头作为切换场景的需要反复出现恢宏又西部的叙事展开追逐戏即使放到现在仍然看得人血脉喷张从马上摔下到特技演员滑落到六匹马和一辆车的底部马蹄踏过的镜头、低级位仰拍、高速平稳的摄影精彩纷呈黑白片的室内布光摄影所展现出来的叙事空间纵深有秩车内dalas和ringo的眼神交换所谓“反应镜头”运用得自如由视线搭构而成的镜头“they’re saved from the blessings of civilization”影片意识形态的展现似乎就和集体排斥达拉斯的身份一样理所当然城市象征着复仇离开意味着解脱印第安人就是疯子而ringo自然就是英雄…也许记叙的视角一换五味吧就是另一个故事
阿水氵:123.233.27.120
Scorsesian themes & Hitchcockian drama in typical De Palma style. If Carlito’s way is considered as one the greatest classics of gangster movies, it’s deservedly so. The movie is bolstered by an overpowered cast & larger-than-life performances fleshing out fantastic characters. Among them, Sean Penn steals the show with an impressive portrait of a high-profile shyster turning into a Pesci-esque gangster. The script doesn’t reinvent the wheel: a crack-pusher comes out of the can, unsuccessfully tries to retire, can’t be saved by love, ends up lying on a stretcher. But it’s the perfection of the execution and the director’s signature that make for a succulent feast. Welcome to Vice City.